梦坞 | DreamlandSUPERSELL SEASON 2
梦坞 | Dreamland
look into heart,there is no thought to arise
see objects,there is not shape to describe
view faraway enviornment,there is nothing to see
Dearm at the now of Eternity
The dream dock originated in 2022. In an extraordinary year, everyone has endless thoughts, whether when awake or in a dream. Unable to escape from the unit building, let alone the inner world. When you are powerless outside, you can only seek mindfulness and liberation inside. Tears are empty, and in the fantastic cloud forest, we forget the shackles of reality for a short time, and fall into the inner examination step by step. Once you think about it, everything will end up in the dust. Is "I" in the dream or I am the dream?
The rose-red building has simple lines and regular elements, and the simplicity is permeated with the rhythm of oriental elements. The eaves at the entrance indicate that this is an unusual "dream" store. Through two circular openings, one virtual and one real echoes. The indoor and outdoor audience are covered with a mysterious filter by the purple circular acrylic. , forming a relationship of "seeing and being seen".
无尽永恒 Endless enternity
进入梦坞的内部空间，观众将经历一场梦境之旅。《无尽永恒》全篇共五幕，从现实到内观，层层入梦，层层出梦。入梦 - 梦醒，一切皆空，一切圆满。
Entering the inner space of Dreamwood, the audience will experience a dream journey. "Endless Eternity" has five acts in total, from reality to introspection, into dreams layer by layer, and out of dreams layer by layer. Falling into a dream - waking up, everything is empty, everything is complete.
影片从现实世界， 画面闪烁变黑，预示着梦境的开始。从第一幕泪滴心海，整个世界有了颜色，到第二幕云中之林，绚烂美好，到第三幕山海中的日冕， 每层梦境都在暗指从外观到内观的过程，隐喻道家思想，以及策展之初想要逃离寻找自由的情感。随着整个影片的播放结束，观众再次回到现实空间的虚拟场景。循环播放，周而复始。
The film starts from the real world, and the screen flickers and turns black, heralding the beginning of the dream. From the first scene where the whole world is colored with tears, to the second scene where the forest in the clouds is gorgeous and beautiful, to the third scene where the corona is in the mountains and seas, each layer of dreams alludes to the process from appearance to interior view , a metaphor for Taoist thought and the emotion of wanting to escape and find freedom at the beginning of the curation. With the end of the entire film, the audience returns to the virtual scene in the real space again. Play in a loop, over and over again.
There are two interaction points in the whole story. The audience appears in the screen, and the gray delayed afterimage will be produced with the action, making time into shape, every second passes, and every second is reborn, like an endless cycle of waking up from a dream, every moment has become eternal.
梦坞的沉浸式互动体验是一个基于最新人像识别技术和cache技术的多媒体艺术作品。通过Feedback和Image delay 技术，对现场观众实时捕捉的影像可以产生不断回馈的视觉效果。通过将观众的身影与线条图进行交织，我们在空间中形成了一系列抽象的艺术画面。观众可以与这些画面进行互动，与自己的影像，与时间对话。
The overall interactive experience is a multimedia artwork based on the latest face recognition technology and cache technology. Through the Feedback and Image delay technology, the images captured by the audience in real time can produce continuous feedback visual effects. By interweaving the figure of the audience with the line drawing, we formed a series of abstract art pictures in the space. Viewers can interact with these images and have a dialogue with time and their own images.
The whole curation is the same as the process of the audience entering and leaving Dreamwood, from dreaming to dreaming, and from dreaming to waking up. Nothing has changed, everything has changed. Dreams are endless, this moment is eternal. Everyone is in this time and space, leaving a unique figure, which belongs to the universe and dust.